Where History Breathes: A Quiet Afternoon in the Bankfield Museum Library

Location: Bankfield Museum, Halifax Date: 11th January 2014 Camera: Samsung Galaxy Tablet

The Library Room at Bankfield Museum

 Stepping into the Bankfield Museum in Halifax is often like walking through a portal into the Victorian era. While many visitors flock to the grand textile galleries or the military exhibits, there is a specific corner of this former mansion where time seems to slow down to a crawl. The Library, captured here in a moment of perfect, sun-drenched stillness, is a masterclass in how architecture and history can create a sanctuary for the modern mind.

A Mansion Born of Industry

To understand the gravity of this room, one must understand the man who built it. Bankfield was once the home of Edward Akroyd, a Victorian industrialist and philanthropist whose influence shaped much of Halifax. The room’s grand proportions—the high, arched windows and the intricate wood-carved cabinetry—reflect the confidence and wealth of the 19th-century textile boom.

Yet, looking at this image, the feeling isn’t one of cold, imposing wealth. Instead, it feels deeply personal. The library was designed for contemplation, and even today, as a museum space, it retains that "hushed" quality that only rooms filled with old wood and filtered light can possess.

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The Architecture of Light and Wood

The most striking feature of the Library is undoubtedly the trio of massive arched sash windows. In this photograph, the light is soft, diffused by blinds that turn the windows into glowing panels. This lighting highlights the rich, honeyed tones of the herringbone parquet flooring, which stretches across the room with a geometric precision that leads the eye toward the centre.

Flanking the room are floor-to-ceiling wooden display cases. These aren't just storage units; they are pieces of art in their own right, featuring ornate cornices and dark, polished finishes. On the left, we see a glimpse of the "Textile Design" heritage that Bankfield is famous for, while on the right, a white marble bust stands sentry over the room. There is something profoundly comforting about the presence of these stone figures—they are the silent custodians of the stories held within these walls.

A Meeting of Eras

What makes this specific view of the Library so compelling is the juxtaposition of the old and the new. While the shell of the room is quintessentially Victorian, the centre is anchored by a set of mid-century modern chairs arranged around a low table.

This design choice is a brilliant nod to the museum’s ongoing relevance. It suggests that history is not a closed book to be looked at through glass, but a living environment to be sat in and discussed. The chairs, with their minimalist black frames and canvas seats, provide a sharp, contemporary contrast to the heavy, ornate Victorian cabinetry. It’s a reminder that we are all just temporary occupants of these historic spaces, adding our own modern chapters to the narrative.

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More Than Just Books

Though it is called a Library, this room serves as a gallery of the senses. In the centre, a beautiful wooden display table (a vitrine) sits directly in front of the middle window, likely housing delicate manuscripts or archival materials that require the steady, indirect light provided by the blinds.

To the far right, the edge of a grand fireplace is visible, decorated with inlaid patterns that mirror the complexity of the textiles produced in Akroyd’s mills. You can almost imagine the crackle of a fire in the hearth, the scent of old paper, and the rhythmic ticking of a longcase clock somewhere in the hallway.

Why You Should Visit

In our world of digital noise and constant notifications, spaces like the Bankfield Museum Library are essential. They offer a "low-stimulus" environment where the primary goal is simply to be.

Whether you are a student of architecture, a history buff, or someone looking for a quiet place to reflect, this room offers a rare opportunity to sit in the presence of the past. It is a testament to the idea that beauty, once built with intention and care, never truly goes out of style.

Next time you find yourself in West Yorkshire, don’t just rush through the main exhibits. Find your way to this room, take a seat in one of those black chairs, and let the quiet dignity of the Bankfield Library settle over you.

A Man of the People: The Edward Akroyd Statue, Boothtown

Location: Edward Akroyd Statue, Boothtown Date: 15th February 2014 Camera: Polaroid is2132

Statue of Edward Akroyd, Halifax

Standing high on a sturdy stone pedestal in the heart of Boothtown, Halifax, is the commanding figure of Edward Akroyd (1810-1887). This striking monument, captured here in dramatic black and white, is not just a tribute to a mill owner, but to a pioneering industrialist and politician whose life was dedicated to social improvement in the Calderdale region.

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Edward Akroyd: Industrialist and Philanthropist

Edward Akroyd was arguably the most significant figure in Halifax's industrial history alongside the Crossley family (who founded Crossley Heath School). He inherited the family's worsted manufacturing firm, James Akroyd & Son, and built it into one of the largest and most successful textile operations in the world.

However, Akroyd is remembered most not for his wealth, but for his philanthropic vision for the working classes:

• Model Community: His most enduring legacy is the creation of Akroydon, a model village built near Boothtown to house his mill workers. It provided quality, well-designed homes, schools, and social facilities—a stark contrast to the slum conditions common in other industrial towns.

• Education and Faith: He strongly believed in improving the lives of his workers through education and religion. He founded institutions like All Souls' Church and the Working Men's College, focusing on the moral and intellectual welfare of the community.

• Political Life: Akroyd also served as a Member of Parliament (MP) for Halifax, where he advocated for his model of industrial paternalism.

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The Statue and its Setting

The statue, which dominates the foreground of the image, was unveiled in 1876. It was sculpted by John Birnie Philip, a well-known artist of the time.

• The Figure: The bronze figure shows Akroyd in typical mid-Victorian formal attire, holding a scroll or papers, suggesting his role as a lawmaker and administrator. His pose is commanding, reflecting his influential status.

• The Pedestal: The high stone pedestal features several panels. The central panel displays his family coat of arms and an inscription, dedicating the monument to the 'eminent services rendered to his country and his locality'. Other panels depict scenes from his philanthropic projects, particularly his work in promoting education and welfare.

• Architectural Context: The statue is positioned in an environment that is deeply relevant to his life's work. It is framed by rows of traditional Yorkshire terraced houses—the very type of housing he sought to improve—and contrasted with a modern, high-rise tower block in the distance, showing the evolution of housing in the area he championed.

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A Lasting Legacy

The Edward Akroyd Statue is an important Grade II Listed Monument, securing its place as a piece of cultural and historical heritage. It continues to stand guard over the community of Boothtown, a powerful, permanent reminder of a man who used his industrial success to pioneer social reform, proving that Victorian progress could coexist with community welfare.

It invites us to reflect on the historical responsibility of wealth and the enduring impact of individuals who invest not just in businesses, but in the lives and well-being of the people who build them.